Laurencin, Marie

From Astro-Databank
Jump to: navigation, search
Name
Laurencin, Marie Gender: F
Marie Melanie Laurencin
born on 31 October 1883 at 09:00 (= 09:00 AM )
Place Paris, France, 48n52, 2e20
Timezone LMT m2e20 (is local mean time)
Data source
BC/BR in hand
Rodden Rating AA
Collector: Scholfield
Astrology data s_su.18.gif s_scocol.18.gif 07°37' s_mo.18.gif s_scocol.18.gif 11°36 Asc.s_sagcol.18.gif 01°13'



Marie Laurencin

Biography

French painter and print maker.

During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912). She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and famed lesbian writer Natalie Clifford Barney. She had heterosexual and lesbian affairs.

During the First World War, Laurencin left France for exile in Spain with her German-born husband, Baron Otto von Waëtjen, since through her marriage she had automatically lost her French citizenship. The couple subsequently lived together briefly in Düsseldorf. After they divorced in 1920, she returned to Paris, where she achieved financial success as an artist until the economic depression of the 1930's. During the 1930's she worked as an art instructor at a private school. She lived in Paris until her death.

Laurencin's works include paintings, watercolors, drawings, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen. While her work shows the influence of Cubist painters Pablo Picasso and Georges Braque, who was her close friend, she developed a unique approach to abstraction which often centered on the representation of groups of women and female portraits. Her work lies outside the bounds of Cubist norms in her pursuit of a specifically feminine aesthetic by her use of pastel colors and curvilinear forms. Laurencin's insistence on the creation of a visual vocabulary of femininity, which characterized her art until the end of her life, can be seen as a response to what some consider to be the arrogant masculinity of Cubism.

In 1983, on the one hundredth anniversary of Laurencin's birth, the Musée Marie Laurencin opened in Nagano Prefecture, Japan. The museum is home to more than 500 of her works and an archive.

She died 8 June 1956.


Link to Wikipedia biography

Relationships

Events

Source Notes

Sy Scholfield quotes birth certificate n° 4822 at the online Paris archive (10th arr., image 10/147).

Same data in Arno Muller vol 3

Categories

  • Passions : Sexuality : Bi-Sexual
  • Vocation : Art : Fine art artist