
Marilyn Monroe's Biography
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Birth Name: Norma Jean Mortenson
Birth Date: June 1, 1926
Birth Time: 09:30 (9:30 AM)
Birth Place: Los Angeles, CA (www.astrodatabank.com)
An illegitimate child whose father (Edward
Mortenson) had deserted her mother (Gladys Baker, née
Monroe) before she was born, Norma Jean endured a childhood
of poverty and misery, sexual abuse (at the age of eight)
and years in foster homes and orphanages after her mother
suffered a nervous breakdown and was institutionalized. Escape
from this cycle came at the age of sixteen with an arranged
marriage to a 21-year-old aircraft plant worker.
While working at the Radio Plane Company
factory in Burbank, she had her picture taken by a visiting
Army photographer. Norma Jean then began modeling bathing
suits and, after bleaching her hair blonde, began posing for
pinups and glamour photos. Howard Hughes saw some of her photographs
and expressed an interest in giving her a screen test for
RKO, but Ben Lyon of 20th Century-Fox beat Hughes to the punch,
signing Norma Jean Baker to a contract and changing her name
to Marilyn Monroe.
After appearing in small parts in films
including LOVE HAPPY (1949) and ALL ABOUT EVE (1950), Monroe
achieved celebrity with starring roles in three 1953 featuresNIAGARA,
GENTLEMEN PREFER BLONDES and HOW TO MARRY A MILLIONAIREas
well as a series of nude calendar photos, taken in 1948, which
appeared in the December 1953 debut issue of Playboy magazine.
By the end of the year, Monroe had been voted the top star
of 1953 by American film distributors.
In all her film roles, from NIAGARA to
THE MISFITS (1961), Monroe portrayed an object of desire and
exhibition. Her basic character grew out of the dumb blonde
archetype, but Monroe's dumb blonde could not be pinned down
to any particular origin or social class. She was defined
only by what was shown on the screen, with neither a previous
history nor seemingly a future. Frequently her characters
were nameless (LOVE HAPPY, 1949, THE SEVEN YEAR ITCH, 1955),
further accentuating her status as an object. She usually
had no discernable job and when she did, it was a female-relegated
profession such as chorus girl, actress or secretary.
But to the dumb blonde stereotype, Monroe
added a sense of innocence, naturalism and overt sexuality.
Her sexuality was never seen as a threat, but as something
harmless and benevolent. Time magazine's sanguine response
to Monroe's Playboy centerfold summed up her appeal: "Marilyn
believes in doing what comes naturally."
Along with this kindly, innocent sexuality
went a vulnerability; Monroe's characters were often humiliated
at the expense of a voyeuristic pleasure, whether being lassoed
like a cow in BUS STOP (1956) or exposing herself unknowingly
in SOME LIKE IT HOT (1959). At the height of her fame, Monroe
sensed the limited range of her screen persona and clearly
desired to change it: "To put it bluntly, I seem to be
a whole superstructure without a foundation." Forming
Marilyn Monroe Productions in 1956, she produced BUS STOP
and THE PRINCE AND THE SHOWGIRL (1957). But her personal problems,
with failed marriages to baseball star Joe DiMaggio and playwright
Arthur Miller and increasing reliance on drugs to combat depression
and physical ailments, served to forestall any serious change
in her career.
The public wanted Marilyn as they had
discovered her in 1953, and that was what they got in LET'S
MAKE LOVE (1960). She was still capable of memorable work,
especially with top directors like Billy Wilder (SOME LIKE
IT HOT) and John Huston (THE MISFITS), but her personal demons,
or precarious involvement with people in high places, eventually
overwhelmed her. On August 5, 1962, she was found dead of
an overdose of sleeping pills. Monroe's was a tragedy in which
her public, the media and the Hollywood power brokers all
share blame. As Laurence Olivier once remarked, "Popular
opinion and all that goes to promote it is a horribly unsteady
conveyance for life, and she was exploited beyond anyone's
means."
Filmography
SCUDDA HOO! SCUDDA HAY!
1948: Comedy/Drama
Director: F. Hugh Herbert
LADIES OF THE CHORUS
1949: Musical/Romance
Director: Phil Karlson
LOVE HAPPY
1949: Comedy
Director: David Miller
ALL ABOUT EVE
1950: Drama
Director: Joseph L. Mankiewicz
ASPHALT JUNGLE
1950: Crime
Director: John Huston
THE FIREBALL
1950: Sports
Director: Tay Garnett
RIGHT CROSS
1950: Sports
Director: John Sturges
A TICKET TO TOMAHAWK
1950: Western/Comedy
Director: Richard Sale
AS YOUNG AS YOU FEEL
1951: Comedy
Director: Harmon Jones
HOMETOWN STORY
1951: Drama
Director: Arthur Pierson
LET'S MAKE IT LEGAL
1951: Comedy
Director: Richard Sale
LOVE NEST
1951: Comedy
Director: Joseph M. Newman
CLASH BY NIGHT
1952: Drama
Director: Fritz Lang
DON'T BOTHER TO KNOCK
1952: Thriller
Director: Roy Baker
MONKEY BUSINESS
1952: Comedy
Director: Howard Hawks
O. HENRY'S FULL HOUSE
1952: Comedy/Drama
Director: Henry Hathaway
WE'RE NOT MARRIED
1952: Comedy
Director: Edmund Goulding
GENTLEMEN PREFER BLONDES
1953: Musical/Dance
Director: Howard Hawks
HOW TO MARRY A MILLIONAIRE
1953: Comedy
Director: Jean Negulesco
NIAGARA
1953: Thriller
Director: Henry Hathaway
RIVER OF NO RETURN
1954: Western
Director: Otto Preminger
NO BUSINESS LIKE SHOW BUSINESS
1954: Musical/Dance
Director: Walter Lang
THE SEVEN YEAR ITCH
1955: Comedy
Director: Billy Wilder
BUS STOP
1956: Comedy
Director: Joshua Logan
THE PRINCE AND THE SHOWGIRL
1957: Comedy
Director: Laurence Olivier
SOME LIKE IT HOT
1959: Crime/Comedy
Director: Billy Wilder
LET'S MAKE LOVE
1960: Musical/Comedy/Dance
Director: George Cukor
THE MISFITS
1961: Western
Director: John Huston
(Source: www.hollywoodauditions.com)
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These text extracts are taken from "Psychological Horoscope
Analysis" by Liz Greene. Many aspects of the horoscope report
are only relevant for the person concerned. Therefore we have
decided to limit the publication to those aspects which are
of interest to the wider public. You can find unabridged versions
of other celebrity horoscope reports on our sample
page.
Text by Liz Greene
Programming by Alois Treindl
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"...Romantic vision and the gift of imagination 
You are one of the world's true romantics, for your intensely
active imagination must always inject into ordinary circumstances
an aura of meaning, potential and purpose without which you find
daily life inconsequential and sometimes suffocating. The great
strength of your nature lies in your well-developed relationship
to the creative power of the unconscious, which allows you to look
into the future and envisage potentials which are not immediately
apparent in the present. Because of this, you tend to see opportunities
which others miss. You have a habit of living mostly in the future,
always looking toward the next project and the next stage of the
journey. Yours is a temperament which will never stagnate, because
whatever you have accomplished, it is experienced not as a final
achievement but as a temporary stage on the way to something bigger,
better, more enriching and more meaningful..."
"...The romantic vision rejects life's limitations
However, because of your emphasis on the imaginative and intuitive
side of life, you run the risk of forgetting worldly limits. You
tend to be on rather poor terms with day-to-day reality and its
responsibilities and demands, because these thwart the vision that
means so much to you. You may resent the boredom of a routine job,
feeling secretly that you are entitled to something more special
and glamourous; or you may dislike having to bind yourself to domestic
obligations because these stop the flow of the imagination. You
may also resist having to select one thing to which you must apply
yourself, preferring to feel that you have many potentials open
in the future; and this could result in you becoming a "jack of
all trades" who dabbles in everything and produces nothing lasting.
This is the "one day when I grow up..." syndrome, which may be appropriate
in youth but which begins to feel rather uncomfortable with the
passing of the years..."
"...You
will sooner or later need to make better friends with the physical
world. This effort can be rewarding and exciting because your sensual
nature, although often repressed or neglected, is powerful and capable
of great intensity and pleasure, and your uncannily accurate intuition
can also be applied to practical matters to ensure your success.
Any achievement of a material kind can be enormously rewarding to
you, and you possess a rare capacity to respond to nature and to
the beauty of the physical world - if you will only stop running
away from what you call "lower" or "unimportant". In very personal
matters such as sexual expression your unease with the body can
also make you shy and awkward, and here too there might be a promise
of much greater fulfilment if you can allow yourself to experience
the powerful demands of the instincts which you sometimes fear.
Your perception of physical reality may be too negative, and it
is possible that family attitudes in your early life have contributed
to your undervaluing of yourself in this realm of life. If you can
learn the art of being an ordinary mortal in a sometimes unromantic
world, then your unusual and powerful imaginative gifts will always
bring you new adventures as well as earning you concrete rewards.
..."
"...Interest in people and need for social involvement
dominate other motivations
You thrive on being where all the interesting people are,
where ideas are being born and new trends started, and where you
can be seen, heard, and part of what in American slang is called
"where it's all happening". Whether your interests are more cerebral
(political or philosophical), or concerned with cultural events
and trends (the latest best- selling novel, the new play, the innovative
opera production), or an expression of more extraverted activities
(sport, fashion), you are always one of the first to take up new
things and people, and one of the last to leave the party. You genuinely
like people - provided they are not too depressing and refrain from
smearing their emotional
problems all over the happy atmosphere - and you are interested
in what others have to say; and generally people like you too, for
you possess a happy spirit that generates its own excitement and
is open-hearted and tolerant of others' eccentricities. Beneath
the surface of your apparently light-hearted and optimistic approach
to life you are not a shallow person, and you know the value and
strength of friendships and social bonds...."
"...Humanitarian concerns deepen
your sociable nature
You are not merely sociable; you are socially concerned,
and people matter to you not only because they provide you with
pleasure (a convivial evening with friends can always relax you
and make you happy). They also matter from a broader, more humanitarian
point of view. You believe in the rights of others, and your vision
of human nature is a positive one, full of potential. You are interested
in fostering growth or progress in society in some way, whether
in the educational, cultural or spiritual realm, and you combine
a facility for working cooperatively with an ideology or personal
philosophy that aims to help others on some level. You are a diplomatic
person, and have managed to master the art of being able to put
forth original and innovative ideas while appearing to be completely
nonaggressive. You make full and excellent use of the royal "we",
although for you "we" means the group. Thus the group usually believe
that they, rather than you, came up with the idea first. Because
you are neither arrogant nor self-seeking, you can permit this without
feeling demeaned, as long as the objective is reached; and therefore
you are a formidable person when it comes to organisation work and
the manipulation of group dynamics..."
"...What you are not so good at is difficult emotional confrontations.
There is an ethereal, airy and butterfly-like quality about you
which some people might call elusive. You can be delightful and
charming and witty, but you tend to fade away and vanish in the
nicest possible way if too many demands are placed upon you. You
like a lot of people a lot of the time, not one person with intensity
all of the time; and you tend to keep the emotional doorways and
fire escapes clear because you are fundamentally restless at heart
and become easily bored - by routines, routine ideas, and routine
people..."
"...A natural gift for handling the public
Whether you admit it or not, you love being in the public
eye. You have an instinctive feeling for what constitutes a good
performance and know how to handle a group, for you combine natural
acting ability with elegance of expression; and your ideas are strongly
flavoured with whatever is new, lively and currently relevant. Even
if you are not actively ambitious, these qualities make you sought
after in your work. You are not materially grasping, and your ambition
is not readily identifiable in the ordinary way. But you enjoy expressing
what you believe in, and also thrive on the feeling that you are
needed, that you have opened people's minds a little, that you have
brought some quality of beauty or happiness into their lives.
It is hard for anyone to penetrate past your public face, for
the pleasing, friendly and intelligent personality which you project
is automatic and never fails you. Whatever you are like when you
wake up in the morning, few people ever see it, for you not only
need to be liked by people; it is a matter of ethics. You like to
be bright and light and positive, and you have considerable pride
about dumping your personal problems onto others. After all, to
your mind, they have enough of their own. You would do well in fields
such as teaching, counselling, group organising or media; or even
theatre or film, for you have a natural aptitude for playing to
the unconscious needs of the audience and offering them what they
did not even realise they wanted. Thus you depend upon others for
your livelihood, and you prefer it that way; for your work and your
feeling of belonging to a larger human family are inextricably bound
together..."
"...A hidden need for solitude causes feelings of
loneliness and isolation
In contrast to the sociable, articulate and outgoing qualities
of your personality, there is another protagonist in your inner
psychic drama. This hidden side of you comprises all those qualities
which you have had to exclude from your conscious values and behaviour
in order to pursue your fulfilling personal and professional involvements
with others. Your shadow-side is not the humanitarian and humanist
that you are, for this part of you actively dislikes people, preferring
solitude and quiet, and finding a group of more than three rather
strenuous, irritating and even boring. It is hard for you to express
this antisocial shadow, for this might mean offending others by
withdrawing too harshly from them; and it would also mean questioning
your belief that the welfare of others is more important than your
own..."
"...Hurts
in early life leave scars and feelings of mistrust
Some secret loneliness or unhappiness springing from your
childhood has made you a good deal more suspicious about other people's
motives than you appear. Probably one or both of your parents was
unable to express genuine affection and warmth, and made love conditional
upon good behaviour; and your shadow-side does not trust others,
believing them to be out for what they can get. This dark side of
your personality always looks for the strings and conditions attached
to any offering from another person, and is determined to defend
your more vulnerable feelings lest you be hurt or used as you felt
you were early in life.
You hold within you a dark and rather negative vision of life,
which might permit happiness for others but never for you. Thus
there is something very inconsistent about your usually positive
philosophy, for you cannot seem to apply it to yourself. Because
of your unconscious defensiveness, you tend to withhold your real
feelings from people, and you are prone to accumulating a certain
amount of unspoken resentment because you try to please too much
of the time while secretly feeling you are being taken advantage
of. Thus your friendly sociability sometimes serves as a mask and
a protection against spells of deep depression and loneliness, to
which you are curiously prone. Your shadow expects others to reject
you, which reflects not only a very destructive image of other people,
but, more importantly, reflects your own deep denigration of your
worth. Try to face your spells of negative feeling, for you are
a moodier and more melancholy person than you like to admit; and
you tend to let others take advantage of you, which you call being
needed, because you are afraid of rejection and loneliness. Perhaps
you need to learn to do a little more rejecting yourself, rather
than surrounding yourself with people you do not feel deeply drawn
to just for the sake of company..."
"...A psychologically absent figure
It seems that, on a deep level, you did not know your father
at all. It is on the inner level that this experience has occurred,
although your father may have actually been physically absent in
your childhood as well; but even if he was present, it is on the
inner level that you have been "unfathered". There is a sense of
emptiness or lack in connection with your experience of your father,
and there is as a result a kind of lost quality about you yourself.
No matter how much you achieve in life, you are a perpetual observer
watching it all unfold on a cinema screen, without a sense of direct
involvement in your own life. This rather lonely and lost quality
has its roots in your childhood, and it is not wholly negative;
for you have learned to develop a quality of detachment and self-containment
which is of great value. But you need a great deal of encouragement
and approval from others, because you were somehow not "real" to
your father in early life and are therefore not always "real" to
yourself now..."
"...Selflessness and self-sacrifice 
The subjective image of your mother portrayed in your birth
horoscope is a poignant one. There is much of the mythic or archetypal
Suffering Woman contained in this image, and probably your mother
experienced many difficult circumstances in her life - either in
her own childhood or in her marriage, or through illness or financial
difficulty, or through the necessity of sacrificing her most cherished
desires in order to look after others. Although your mother may
have made sacrifices willingly because of her love and need of her
family, nevertheless you have within you considerable guilt about
her unhappiness, and a deep unconscious conviction that you are
in some way responsible for redeeming her sacrifices through your
own self-sacrifice. This places a great inner obligation on you,
which you may carry without realising it, yet which has probably
led you to choose a field of work where you have to deal with and
help the pain or confusion of others. The experience of passive
suffering and sacrifice which you have inherited through your relationship
with your mother gives you a deep well of compassion, sensitivity
and responsiveness to the emotional needs of others. This receptivity
is a gift, which can be expressed either in an artistic field where
sensitivity to the moods of the audience is required, or in the
helping professions where it is so obviously needed..."
"...A tendency to excess
Your motto in love is that more is better. This means more
romance, more candlelight, more courtly declarations of affection,
and, perhaps, more partners. You may justify your profligacy by
means of an ideology which says that people should not possess each
other, or a spiritual vision which says that you need the right
soul-mate, or an aesthetic ideal which tells you that your present
companion is not quite perfect. Or you may simply be honest about
your love of variety. But you are going to have certain difficulties
if you make the decision to commit yourself to one man for a lifetime.
It is not that you cannot love; for, if anything, you love to excess,
and throw your whole self into it. But you crave adventure too,
and you are deeply idealistic about love; and time and familiarity
are the enemies of such a romantic spirit. No relationship, however
passionate, will automatically remain mysterious and challenging
if you do not nurture its unpredictability by frequent holidays
and travel with your man, frequent absences from the domestic front
with its endless responsibilities, and frequent admonitions to yourself
not to take your partner for granted. Otherwise you might be faithful
from a sense of honour and idealism, but not from real inclination.
It would be better to be honest about your own restlessness, for
there are many levels on which your adventurous spirit can be lived
out, and some of them can include a stable relationship and do not
necessitate deceit and betrayal. But it would be better not to repress
this side of yourself, for then you are really asking for trouble.
You are more prone than many people to falling in love at first
sight, at the wrong time, in the wrong place, and with someone other
than the person with whom you came in the door..."
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