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to topHarry Potter - A Hero's Journey
Harry Potter - A Hero's Journey
by Karin Hoffmann

 

An exploration of Harry's birth chart

A character in a novel who has a 'real' chart? Hard to imagine. Still, a character like Harry Potter whose story has been a bestseller for years, whose destiny is followed by many, is of interest to the astrologer. What is it that makes this story so successful? Well, obviously, fantasy is a popular genre, J.K. Rowling's style is very gripping, and of course, good marketing and the films add to the success story.

Still: I wonder if there is more to it than meets the eye. Rowling appears to hit a nerve with her story of the "magician's apprentice", she touches on collective themes that reach people. The story is about finding an identity and a purpose, finding a place in society, it is about values, about 'good and evil', about meeting one's own shadow, about life and death, and not least it is about love.

So, what about Harry? Can we calculate a chart for the boy? This article is admittedly a very associative journey through Harry's potential horoscope. As the time of birth is unknown, we are entering the realm of speculation. However, I have found fascinating and symbolic coincidences.

Godric's HollowHarry Potter was born in 31st July 1980. The place of birth is Godric's Hollow, a town inhabited exclusively by wizards and witches. Muggles (non-magical people) will hardly be able to find it on a map. According to the Harry Potter Lexicon, Godric's Hollow is most likely situated in South Wales, in Glamorgan or Dyfed. For simplicity's sake, I will take a town in the central part of that area: Ammanford. [1]

Now, what is the birth time? There is no reference to the exact time in the books nor in the lexicon, so my colleague and I have played around a bit. Harry is part of the generation with Uranus in Scorpio. A Scorpio ascendant conjunct Uranus? Why not? Harry has black, bushy and uncontrollable hair sticking up at the back - that could suit a Scorpio AC with Uranian influence quite well. He is quite small for his age, which fits with A.T. Mann's description of the 20th - 25th degree of Scorpio. Uranus is at 21°30' Scorpio. Uranus on the Ascendant: Since age one Harry has had a lightening-shaped (!) scar on his forehead. There is hardly anything more Uranian than a lightening bolt ... So, let's assume the hypothetical birth time at 15.25 local time, which places Harry's Ascendant at about 20 degrees Scorpio.

One year after birth

If we look at the transits, we find that Chiron - also known as the "wounded healer" - is almost exactly conjunct the Descendant when Harry receives his wound. This happens on 31st October 1981. The progressed Ascendant has advanced by a little more than a degree and is exactly conjunct Uranus. This is the day when Lord Voldemort forcefully enters the Potter's house and kills Harry's parents. His father - in the chart represented by the Sun - is killed instantly when he tries to protect his wife and child. Harry is left without a male example to follow and to help find his own identity (Sun). His mother Lily then courageously shields her son from Voldemort's curse and sacrifices her life for his. It is her love and self-sacrifice that protects Harry from the deathly curse. With the assumed birth time, Harry's Moon is in the last degree of Pisces, a sign which symbolises like no other sacrifice from love. When Voldemort wants to kill the child, the fatal curse rebounds onto himself. Lord Voldemort loses his body and his power. Harry survives but he receives a permanent wound: a lightening-shaped scar on his forehead.

The Descendant in the chart represents the opponent, the 'other', the one whom we meet on a par; and on a par they meet because Harry is the first human to survive the Avada Kedavra curse. The Descendant also marks the cusp of the 7th house, the house of open enemies. Voldemort finds in Harry an opponent who is his equal, despite his young age. This is the beginning of a fated and painful connection between Harry Potter and Lord Voldemort. The prophecy states: "Neither can live while the other survives". Chiron on the Descendant: the wound is received by 'the other'. [2]

At this time, the progressed Medium Coeli is exactly conjunct natal Jupiter. Harry's future holds a great task which concerns the whole of society, and it all begins on this 31st October 1981. At this stage, Harry is unaware of the tasks to comeFor this task, the "boy who lived" needs a good measure of luck and foresight, and he needs to believe that there is a higher meaning to it all, that he has to live his life purposefully, and that he has to outgrow himself. These are certainly some of the characteristics provided by Jupiter conjunct the Midheaven. And at the same time we can see the toughness and difficulty of the task. With Saturn in the 10th house, Harry is not able to escape his "duty to society" and his responsibility for the part he plays in it. In one of the later volumes, his divinity teacher Sybil Trelawny tells him that he has a "dominant Saturn" and that therefore he will have to face hardship and misfortune.

It is also interesting that on this 31st October 1981, transiting Saturn is conjunct the midpoint of the old and the new ruler of the Ascendant, Mars and Pluto. Saturn, the protector of the threshold, formerly known as the master of death, is placed between aggression and metamorphosis. Through aggression Harry loses his parents, his survival is endangered and his life takes a completely different course. This is a foreshadowing of Harry's duty (Saturn) to fight (Mars) the dark side of the soul (Pluto).

Transiting Pluto and Jupiter, however, are conjunct in the eleventh house: blessing in disguise, and a grand task for the wizarding world, even for humanity, including Muggles, is ahead of him.

But for the moment, Harry is unaware of his fated future, and he spends the next 10 years of his life in the cupboard under the stairs at his aunt's and uncle's house (pure Muggles!). To them he is all but welcome, and his origins as a son of a witch and wizard are not appreciated, even perceived with suspicion. In their eyes, Harry is a "freak", an outsider (Uranus on the Ascendant).

Hogwarts - the beginning of the hero's journey

This state, however, cannot be permanent. With a Leo Sun in the 9th house, it is essential for Harry to enter the archetypal hero's journey, in order to find his own core, his own identity. He has to conquer strange and foreign territory, and his most important drive and strongest protection time and again is his confidence in what his heart (Leo Sun) tells him, his trust in his inner fire. And with Chiron transiting the Sun during this year, it is an appropriate time to start. His task, set 10 years ago, is about to begin. Seven times, through seven school years and seven volumes, Harry makes his journey, the departure from home, the adventures and the return - each time becoming a little more mature and grown-up, finding a little more of his identity.

HogwartsOn his eleventh birthday the extraordinary thing happens, and history takes its course. Harry receives an invitation to visit Hogwarts School of Witchcraft and Wizardry. For a second time, his life's journey surprisingly changes - or rather: it continues where it stopped when he was one year old.

Saturn, the strict teacher, has entered the third house of learning. It is not surprising that it is an usual kind of learning, as the third house cusp in Harry's chart is in Aquarius - and Aquarius is certainly associated with the extraordinary and eccentric. Transiting Saturn also makes a creative but hard to access bi-quintile to the Midheaven which represents the life's task or vocation.

The North Node of the 1991 solar return chart is opposite Harry's natal Mercury in Cancer in the 8th house. The nodal axis on Mercury completes a T-Square to natal Pluto. Harry has intuitive access to occult wisdom, to mysteries which remain unknown to the ordinary mind; he has faculties which he and his Muggle relatives cannot explain or comprehend. For example, on the occasion of a visit to the zoo, he sets a Brazilian Boa Constrictor free - to the utmost horror of his cousin Dudley. The snake of course being a fitting symbol of Pluto and the 8th house. The transiting nodal axis brings these unusual gifts to light.

In the solar return chart, Jupiter is conjunct the Leo Ascendant, and both of them are in conjunction with Harry's natal North Node. With the nodal axis in Leo-Aquarius (houses 9 - 3), the title of Harry's book of life is "self-realisation through insight". The main task is to develop his own unique identity, his solar creativity, his true Self (Leo), by continually challenging the ideals and ideologies of society (Aquarius). He has to find a balance between his place in the wizarding world and himself as an individual. This life's theme is triggered now.

Harry and his Hogwart's friendsAnd: Jupiter conjunct Ascendant in the solar return chart: this is the happiest day in Harry's life. He breaks out from the constrictions of the Dursley's home, and sets out to conquer a new, big, exciting and unknown world.

Solar Uranus trines and Solar Mars conjuncts the natal Midheaven. Uranus brings liberation from the current way of life and indicates a sudden and radical change of direction in Harry's life path. Solar Mars conjunct the Virgo MC acts a starting shot, indicates struggles but also pioneering - in a Virgoan way: Harry always reaches his goals with the gifts of flexibility, quick analysis of the situation and pragmatic use of the available resources; and of course, with a good portion of luck which is provided by his natal Jupiter on the MC.

Also in 1991, transiting Pluto has reached the opposition to natal Chiron. This is the beginning of a long struggle with his opponent - for life and death (Pluto). Wounder and Wounded engage in a struggle for survival, the issues at stake are metamorphosis (of Voldemort who regains his human form, and of Harry who grows a boy to manhood - rather more quickly and intensely than is the case for his fellow students) and letting go Harry meets Voldemort  who still has no body of his own(of fear, of power, of innocence). It is a struggle about life and death, and not least about the darker sides of life, the dark sides in oneself which mercilessly penetrate Harry's life. Now is the time to look at an old wound once more, to confront it and finally to accept it, in order to allow change to happen. The theme is also represented and gains momentum through the conjunction of progressed Mars with natal Pluto - the old and the new ruler of the Ascendant finally meet. The theme which started at Harry's birth (represented by the Ascendant) will be dominating the next seven years of his life.

Much could be written about these important years of leaving home and travelling into the unknown, of great adventures with the help of his friends and his mentor Dumbledore, and of coming back home to the place of security. Each year being a story of initiation, a preparation for the last, decisive meeting with Lord Voldemort, with the dark side of humanity, of the soul, a meeting with his own shadow side.

The last and decisive meeting

During his last year at Hogwarts, in 1998, Chiron transits Harry's natal Ascendant and Uranus. 17 years after the first encounter, they meet for a last time. In the end, it is a duell between the two "heroes", a painful fight for Harry's own existence, his identity and at the same time for humanity. It is all about life and death, about "I" and "Thou" - no, it is even necessary for both to die in order to regain the balance.

Like Chiron in the myth, Harry chooses death. Why? A part of Voldemort's soul continues to live within Harry. It is only through Harry's death that Voldemort can die as well. After all, the Descendant is the 'other' as well as part of the self. Voldemort is prepared to pay every price to attain immortality. However, what he doesn't know: when the fatal curse he cast on Harry 17 years ago failed, a part of his own soul has passed to Harry. With Harry's death, another part of Voldemort's soul will die. And now Harry gives away his own life, and with it Voldemort's chance for immortality. He gives it from a free heart. The individual who fights for the greater good of human kind (Sun in the 9th house). With transiting Chiron on the Ascendant, Harry is prepared to leave his body (Ascendant), in order to bring liberation for humanity (Uranus conjunct AC!). Only by giving the "I", the physical form, can the "Thou" - Voldemort - finally die. Only by accepting his destiny unquestioningly, can he bring heal the woes of the world. This is Chiron.

Chiron in the myth gives his life to free Prometheus from eternal suffering and is placed by Jupiter/Zeus in the constellation of Sagittarius. Prometheus/Uranus is free, the spirit of humanity and of the individual has defeated the ideology of the "super-human", the pure-blood wizard. The latter could also have been a Uranian-Scorpionic ideal - and it is not by accident that Harry and Voldemort are so closely linked - two sides of a coin.

A struggle for life and deathNow that neither can live while the other survives, the symbol of the wound can be integrated as part of the Self. By accepting the connection with Voldemort, the dark side, and giving his own life, the connection can be dissolved and Harry resurrect. Ascendant and Descendant are integrated, are part of his own identity.

Harry survives. A second time. He survives, exactly because he has given his life voluntarily. Yet another time, the power of self-sacrifice of the Pisces Moon is demonstrated. But this time, it wasn't the mother who has given herself but Harry himself. He has integrated the Moon as part of himself and left the realm of childhood. And at the end of his 7-year-struggle, his hero's journey, Harry emerges with his own, undivided identity. During the whole year transiting Uranus/Prometheus has opposed Harry's Leo Sun in 9.

At the decisive moment, Harry's parents were with him - they accompanied him (in spirit) to the end and gave him the strength to give his life and resurrect. Moon and Sun, mother and father, soul and spirit.

 


Notes:
  1. All data concerning dates and places used in this article are taken from the Harry Potter Lexicon (http://www.hp-lexicon.org/).
    There are differing opinions on the exact location of Godric's Hollow which, however, don't make a big difference to the Ascendent. The HP lexicon favours Exmoor, whereas the website Harry Potter for Grownups gives Wales.
  2. Who incidentally loses his own physical - human - form and continues to live by possessing the bodies of animals. Note that Chiron in the myth was a Centaur, i.e. half-human and half-horse!
  3. What does the Astrodienst Child's Horoscope say about Harry Potter? Read it as a website or pdf.

 

 
to topThe Progressed Lunation Cycle
RIDING THE WAVE
The Progressed Lunation Cycle
by Frédérique Boele

 

Introduction

This article was first published in the Feb/Mar 2006 issue of The Mountain Astrologer. We would like to thank Ms. Boele and the TMA for the right to publish it here.

Every month an invisible New Moon signals we can make a fresh start and, as the cycle progresses and the Moon waxes, we can learn, grow and invest. At the second half of the cycle, after the Full Moon, we may reap what we have sown, reflect on and eventually bring to a close that which was conceived at that beginning. In her excellent Moon Watching series[1] Dana Gerhardt introduced readers of the TMA to this monthly cycle.

The progressed Sun and Moon perform the same dance every thirty years, its timing entirely dependent on our personal birth chart [2]. When the progressed Moon (moving at approximately 13 degrees a year) joins the progressed Sun (travelling at 1 degree a year) we, individually, experience a progressed New Moon for a period of three and a half years. For people born during a Last Quarter or Balsamic phase, that is towards the end of the monthly cycle, this could happen very early in life; for those born at a New Moon or Crescent phase on the other hand, it could be in their mid- to late twenties. The progressed lunation cycle thus beats a slow but deeply meaningful rhythm to our lives, one that we may easily overlook but that can actually put even slow moving Pluto transits into a larger context. It is worthwhile, therefore, to pay attention to whatever progressed Moon phase we are currently at so we can attune ourselves to it.

About this article

When reading this article the reader will realize that, although many of my observations are not vastly different from those who have written on this subject before me, I use a different framework when relating the phases to the houses or signs [3]. Whereas most astrologers assume that the conjunction (and therefore the New Moon) equals 0° Aries and derive all other aspects and lunar phases from that point (i.e. First Quarter is like Cancer, the opening inconjunct is like Virgo), I firmly believe the conjunction and start of the cycle should be compared to the IC, the start of the fourth house. Aries and the Ascendant represent the dawn, the beginning of spring (at least on the Northern Hemisphere), a radical break with the past and, of course the moment of birth. But birth, however momentous a beginning, is only the continuation of life that was set in motion at conception. Likewise, midnight is the time when the old day dies and the new day is born. The IC is often thought of as representing the end of life; it makes sense to conclude that in a cycle this implies it is the beginning of new life as well. I am therefore convinced that the ‘conjunction = 0° Aries’ theory is in need of revision. If my conclusions do not seem to contradict other authors too much, it is in my opinion because very few have applied this theory consistently. Most have instead relied on their own observations and experience and I will do the same, as I do not think that the meaning of the lunar phases can be entirely reduced to the traditional interpretations of the houses. However, I do believe that linking the start of the cycle to the IC will shed new light on the lunar cycle and this I hope to explore in this article.

The Progressed New Moon

(Angular Separation of Sun and Moon: 0°-44°)

New MoonThe progressed Sun – Moon conjunction is one of the most pivotal times in our lives, as it signals both the beginning and the end of the cycle.

Our New Moon phase may therefore start with an overriding sense that something is finally over. Paradoxically, the conjunction, as it closes the circle, can represent the most definite separation from the past of all the other aspects of the lunation cycle and we may be confronted with losses and terminations. Often, a period of mourning and reorientation is called for. This may be a low point in someone’s career, a time of obscurity, unemployment and confusion. After ten years as the British Prime-minister, Margaret Thatcher was forced to resign and Ringo Starr and Paul McCartney experienced the break-up of the Beatles. The end represented by this phase of the lunar cycle may even take the form of a major achievement to which there is no obvious sequel. Buzz Aldrin became the second man on the Moon but suffered subsequently from a severe depression, which, we may speculate, may have had something to do with a feeling of “What next?” [4]

However, as one cycle ends, another begins. We can compare the New Moon to the mid-winter point, or transits to the Nadir, the IC, the lowest, most private and obscure point of the chart. The image is that of a seed, which is germinating but is still hidden in the ground, or that of a human egg cell, fertilized by a sperm, growing and separating whilst the mother does not know yet that she is pregnant. As these images show, beginnings at the New Moon phase may be small and hardly visible to the naked eye. We may be in the dark during the progressed New Moon as plans, projects or, in fact our new identity, have not crystallized yet. Especially with young people therefore, the progressed New Moon can mean there is confusion about which direction to take. It is a kind of dreamtime, when many things may occur to you, only one or two of which will eventually take root. It is wise to allow the young New Moon types their dreamtime and not to pressure them into committing themselves prematurely into this direction or that.

At the New Moon we are all rather like young children. In myths and stories the young hero often starts his life in obscurity and in what we may call a 4th house situation. He (or she) may be vulnerable, hidden, isolated from the world or merely innocent and comfortable in a restricted, womb-like environment.Frodo Baggins We can think of Siegfried, being raised below the ground by gnomes that nourish the roots of the tree of life (which we can associate with the IC/MC axis); Frodo Baggins in his hobbit hole; or Harry Potter in his cupboard under the stairs. During the New Moon phase therefore, we may find ourselves in a similar situation and it may be helpful to think of ourselves as experiencing a hero’s childhood, whatever age we really are.

Since the Progressed New Moon is like a transit over the IC, this phase often means we have to move and establish new roots somewhere else. More often however, there is a distinct movement towards home. As we retreat from the world, we seek a safe place to hibernate or weather the crisis. We may find we must reconnect to our roots. This often happens quite literally. One client of mine had to move back in with her mother after having suffered a crushing career disappointment; another had spent most of her childhood abroad, when at her progressed New Moon her parents repatriated and even moved into the ancestral home. The Progressed New Moon may therefore mean that, after having travelled far, explored many things, we finally come home, to do as our fathers did, and their mothers before them. There may be a new appreciation of our parent’s values, or we may find out things about our personal background of which we had previously been unaware. On another level, and perhaps more to the point, the progressed New Moon and its ‘homecoming’ theme,i may be about finding our point of gravity, that which lies at the root of our personality and our being, the core of our existence. We come home to ourselves. Doing so, we may find that pursuits we had given up on, or shelved indefinitely during the last cycle, are given a new lease on life. We may pick up, once more, that musical instrument that has been gathering dust for the last ten years or decide to finish that college education we had to interrupt for unforeseen reasons.

If we have stuck to our dreams all along, the Progressed New Moon may mean we move on to a higher level and find reaffirmation of who we are and what we are about. The old theme acquires a new dimension, often in the form of a new career challenge. I have been comparing the New Moon to a transit over the IC, and when that happens, the MC is activated as well. The Progressed New Moon can therefore mean that our station in life is changed. Neil Armstrong, an enthusiastic amateur pilot, joined the Navy to fly missions in Korea; John Paul II became Pope. The Beatles met Brian Epstein and signed their first recording contract during John Lennon’s New Moon. We may continue what we were doing before, but instead of playing for the local amateurs we are now playing major league and all of a sudden it is a very different ball game.

The Progressed Crescent Moon

(45°-89°)

Crescent MoonIf the cycle starts at the IC, it follows that at the start of the Crescent phase, we find ourselves halfway through that part of the cycle that corresponds to 5th house. The 5th house is the house of the Sun, and in this house we express ourselves so we can feel and become a unique individuals. In myths this is the moment that the son of a virgin feels compelled to search for his father, while fairytale heroes may go in search of golden apples or life-giving elixirs, all symbols of solar energy. And so the hero decides to leave home to seek his fame and fortune, thus embarking on a quest of self-discovery. In the same way, when we are at the Crescent phase, we must take a risk in order to create our own story and set the ball rolling. We must leave the house, go to school, start dating or bring a child into the world.. Sometimes circumstances may force us to take action when we had rather stayed passive but the new cycle must start and we must make it our own.

So if a Crescent phase follows a New Moon period of dreams, disorientation and lazing about, the half-square urges us to do something. The challenge here is to start moving, even if the direction and goal are not very clear. We may decide at this stage to get a job, whatever job, to get some work experience under our belt. We must set out on the journey, even if we are not perfectly sure where the journey is going to take us, we must get out of the house.

If during the Progressed New Moon we suffered depression, unemployment, obscurity or hospitalisation, now could be the time to (re-)emerge. If at our progressed New Moon we rediscovered an old dream we must now take the first steps to make that dream come true and perhaps start taking music lessons or business administration classes. After the Progressed sextile we find ourselves in that part of the cycle that corresponds to the 6th house and we may discover that to realize our dreams we have to do some hard and boring work. Since we are almost inevitably new at what we are doing in the Crescent phase, it is characterized by a steep learning curve; we have to learn how to live with that new partner, how to parent those newborn children or how to cope at that new job.

In stories and folktales this part of the Crescent phase corresponds with the moment the hero or heroine is asked to render a service, perhaps by freeing a trapped animal or helping and old woman. Sometimes our protagonists must serve an apprenticeship. We are in the 6th house; we must work and learn and adapt and prove ourselves worthy. Some heroes now meet the mentors who will prepare them for their heroic career: this is when Arthur meets Merlin, or when Jason and Achilles spend time with Chiron [6]. The moral of the stories in all their diversity is the same. If the hero is helpful, diligent or attentive enough, their efforts will not go un-rewarded, and they themselves will receive help, advice or maybe a magical amulet or sword that will protect them in the adventures that await them. We would be wise if at this stage we accept help and guidance for thus we may acquire skills and experience that will stand us in good stead later on.

And we need support, because at the Crescent phase, we are young and inexperienced at the world of this cycle. We may prefer at this stage to be part of a collective, people with roughly the same ideas and aspirations. Maybe we need to depend on a teacher, tradition or senior colleague to teach us the rudiments of what we are trying to learn, or hold on to our parents’ values while we are trying to raise our own children. At this stage we must be open-minded, eager to experiment, learn and adapt and willing to defer judgement. It would be wise to honour our need for structure and security to protect the new. In fact, we have to create a kind of safe, learning environment for ourselves. The BeatlesAt this time it is not such a good idea to stop, reflect, evaluate or analyse our inner doubts as we don’t as yet have sufficient perspective to realize how valid our experiences are or where they will take us. If circumstances are ideal however, we can make amazing progress in these years and be very successful. John Lennon was going through his Progressed Crescent phase at the height of the Beatles’ popularity. We can see, however, that he was still in the typical Crescent situation of operating within a group of childhood friends under the strict management of Brian Epstein. His entering the next phase – Progressed First Quarter – would not go unnoticed.

The Progressed First Quarter Moon

(90°-134°)

First QuarterDuring the Crescent phase we have crawled out of the egg and – supported by our parents – we have experienced rapid growth and acquired feathers. For a while now we have been practicing flapping our wings, flexing our flight muscles and preparing for take off. Now, at First Quarter it is time to fly. So regardless of our age and circumstances, First Quarter usually brings a clean break from the past, a cutting of the umbilical cord and greater independence. When this phase arrives we may want to turn our back on what was a familiar but too restricting environment and so we will quite likely undergo tests of strength, courage and judgement. If we look at diagram we can see why this is so and what other themes may be playing out at First Quarter.

Progressed Lunation Wave

If the Progressed New Moon can be compared to transits or progressions to the IC, it follows that Progressed First Quarter is similar to planets crossing the Descendant. All cycles can be represented by the pattern of a wave and diagram shows how I think the lunation cycle -and indeed all other planetary cycles- relate to the four angles of a chart. The lowest and most amorphous point of the wave and also of the chart is the IC; the point of midnight; the proverbial seed, invisible, hidden in the ground or the womb. Next, from New Moon to Full Moon, comes the waxing half of the cycle; the wave goes up and reaches its zenith or apotheosis at the point of noon; the MC; the highest point in the chart. Then follows the waning part of the cycle: the wave goes down. Between New Moon and Full, half way up, we reach a critical juncture as we cross the Ascendant-Descendant axis. At this point we leave the private realm of the lower and enter the public arena of the upper hemisphere.

If we have been taking instructions while adhering to certain traditions, we may now feel ready to make our own choices, formulate our own philosophies, or decide on our own methods. We may feel we are now ready to start our own business, or, if we are already self-employed, to take on a bigger challenge and enter a new market or launch a new product. If we have been writing a book the First Quarter is an appropriate time to send the manuscript to the publishers.

Whatever happens it is clear that at First Quarter we may have to face competition and the judgement of others and there is no doubt that to many of us this is a Lord of the Ringsfrightening prospect. On the eve of the publication of The Lord of the Rings, at his progressed First Quarter, J.R.R. Tolkien wrote in a letter to a friend: "I am dreading the publication, for it will be impossible not to mind what is said. I have exposed my heart to be shot at." [7] Under these circumstances it is natural to turn to friends and allies so we do not have to face the enemy alone. When we try to manage without the support of parents of parental figures our peers become more important. At First Quarter we may therefore need to associate ourselves with kindred spirits, join clubs of find partners to help us through this rite of passage. From this perspective we can also see how throughout the ages leaving home has – especially for women- been almost synonymous with getting married; the spouse in many ways replaces the parent of the opposite gender. Weddings are therefore quite a common event at First Quarter. Princess Diana is a prime example as her wedding at her Progressed First Quarter also heralded the beginning of her life as a public figure and her rivalry with Camilla Parker. However, because of the First Quarter tendencies to break away from the past to gain independence, divorces are as common as weddings at this phase. The one, of course, does not necessarily exclude the other. When John Lennon reached his Progressed First Quarter he divorced his first wife, married Yoko Ono and started his solo-career, all typical First Quarter actions.
If we are too young to get married we may, of course, meet a very significant other in the form of another sibling whose birth could mean companionship as well as new responsibilities and competition for mother’s attention. And since the 7th house rules enemies as well as partners, our progressed First Quarter could also mean having to face the school or office bully.

Having left home to start our heroic journey, we cross the boundaries of what is safe and familiar and enter a strange and dangerous topsy-turvy land where we are faced with ‘the other’ on which many hopes and fears can be projected. The First Quarter phase therefore means we have to deal with 7th and 8th house issues. Little Red Riding Hood ventures into the forest and meets a wolf. Is this a charming creature or is she in mortal danger? Heroes now find themselves abandoned by their guides or companions and must now face many dangers alone. Princesses marry a Beast or a Bluebeard or find themselves making promises to a frog. Their parents gone, these characters must now make their own judgments in their dealings with these creatures.

As previous examples have shown, not all progressed First Quarters are so dramatic. For many children it may quite simply be the next step towards independence, taken with confidence and encouraged by the parents. Some of us may even choose not to take the plunge, at least not at this stage. Though the young bird on the edge of the nest is either going to fly or die, we humans may decide that we are not quite ready yet. In that case the Full Moon and Last Quarter phases will definitely remind us of what we failed to do. However, for most of us who are approaching the Progressed First Quarter, it is time to take a deep breath and put trust in our wings.

The Progressed Gibbous Moon

(135°-179°)

Gibbous MoonIn the years preceding the Progressed Full Moon our world widens up, opening new vistas. We may find ourselves visiting a big city or travelling to the mountains for the first time, or maybe we are introduced to world literature or a higher form of education; we are meeting life at a scale that teaches us about the vastness of the universe and we realize it is a big world out there.

In the thirty degrees leading up to the Progressed Sun –Moon opposition we are in the 9th house and so naturally we are expanding our horizons. In stories and folktales we find the hero flying a magic carpet or mythical bird to some far away land in order to fulfil his quest and so, with the Full Moon approaching we may feel the same kind of exhilaration. However, in these foreign parts, the hero may well encounter hulking giants with voracious appetites. Everything grows big during the Gibbous Moon, including problems and powerful emotions.

The Gibbous phase starts in fact where the First Quarter phase ended: in the 8th house. Ideally the confrontation with ‘the other’ during the First Quarter has transformed us. We may have bonded with our significant other in such a way that we are now stronger and more complete than previously. Having faced the challenge and discovered our hidden strengths, we may now set our sights higher than before and feel the future beckon. Many new possibilities present themselves and we may feel we can reach for the stars. We may, literally or symbolically have conceived and feel our child growing inside us; a woman heavy with child is an apt image for the Gibbous Moon.

On the other hand the confrontations at the First Quarter may not have gone so well. We may have suffered defeat or betrayal with the result that now we feel traumatized, frustrated and powerless. Like Bluebeard’s wife we may have discovered the bloody heads in the secret chamber. In this case our emotional tension, anxiety and dissatisfaction are rising as we look for a way out. As the Moon waxes, our feelings will be increasingly difficult to contain or conceal.

Protests against RushdieIn our enthusiasm or growing discomfort we may easily overdo things during this phase. Since we can sense we are approaching the crest of a wave we are very willing to invest our time, money and efforts. We may sacrifice sleep, eat too much fast food, smoke too many cigarettes, or get ourselves into ever greater debt. We may take on an ever growing work load as we climb the corporate ladder and children may become excessive in their demands for freedom. For some of us it may all become too much to deal with. At his progressed Gibbous phase Salman Rushdie had to go into hiding as religious outrage over his Satanic Verses reached fever pitch.

There may be initial successes at this period, usually promising even bigger things in the future. However, there may also be outbursts of impatience, anger or frustration, the warning shots of a working volcano. Towards the end of the Gibbous phase we are in labour. Whether we are expecting a child, an emotional breakdown or a scientific breakthrough, the Full Moon will reveal.

The Progressed Full Moon

(180°-224°)

Full MoonAt the progressed Full Moon we reach the zenith of the lunation cycle and we must therefore compare it to the highest point of the horoscope, the MC and the 10th house. Simply stated: at the Full Moon we experience either a climax or an anti-climax. Having reached Saturn’s house we may expect either a concrete achievement or a disappointment. Both our hopes and fears may now materialize. At the Gibbous phase we were pregnant; now we are delivered of our baby, be this a real child, a theatre production or a new idea. So for some of us the Full Moon means a high point in our life or career; the fulfilment of a dream. In stories we reach the apotheosis as quests are fulfilled and fiery dragons are slain. The story of the sacking of Troy is probably the best example of such a denouement. The giant horse statue laden with warriors (Jupiter, 9th house, Gibbous) gives birth to the ultimate victory to the Greeks, but death and destruction to the Trojans. (Saturn,10th house). Greek poets, in fact, relate that the event took place during a Full Moon. [8]

We are at the MC and therefore we may be very much out there on the world stage and in the public eye. This does not necessarily spell good fortune or success, however. A scandal may break bringing us much unwanted attention. We may also have to face the inevitable consequences of our excesses during the Gibbous phase and suffer burn-out or a heart attack. Our recklessness may result in a crash or an accident, bringing us to a dead stop. We may feel that we have reached the limit of our endurance and run away from an untenable situation or we may simply not get the prize of promotion we had been looking forward to, not necessarily because we are undeserving but because there is little room at the top and so often there can only be one winner. At his Full Moon Al Gore suffered defeat at the 2000 elections which he had probably expected to win and John Kerry suffered the same fate in 2004.

Failure or success, the Full Moon always brings a release of energy as we experience the relief of a definite result. We have run into our limitations and must now resign ourselves to the situation or we have scaled our mountain and can now spend a few moments enjoying the view. Ideally, therefore, the Full Moon brings a sense of liberation. Our goals achieved we can now treat ourselves to a holiday. Subsequently, the later part of the Full Moon is often more quiet that the exciting but hectic Gibbous phase. For the time being our struggles are over, and we can begin to look at our situation and achievements more dispassionately and set ourselves new objectives. Sometimes, however, an emotional crisis is needed to clear the air first.

Detachment and separation are in fact major themes during the progressed Full Moon. The distance between the Sun and Moon is now at its maximum and this may lead to polarization in our lives at this stage. We may think in black and white and wish to shed that part of us we feel is evil, heinous or destructive. We want to rid ourselves of our demons and to leave our old life as far behind us as we possibly can. I know several people who decided to emigrate at this phase, others who felt they should at least take a trip round the world. At the MC, we are opposite the 4th house and so the Full Moon may find us very far from home. For children it is not uncommon to experience their parents’ divorce at this stage: their father and mother are now worlds apart.

This ultimate separation also occurs during the shamanic quest for a healing or revitalising vision. After mortification or even (apparent) death of the body, the spirit is released and able to travel to other spheres; it may ascend to the heavens or descend into the underworld of the ancestors; in astrological terms: to travel up or down the world axis of the MC/IC. In fact, the crest of the wave as seen in the diagram represents the point of greatest enlightenment. At the Full Moon both solar and lunar forces are at their peak. The Moon is at its most visible and dramatic as it reflects the Sun’s light with maximum effect, while the MC is the Sun’s province, the point of noon where the Moses receives the ten commandmentsSun reaches its highest position in the sky. With all this light, we must see clearly. It is for this reason that the Full Moon is often quoted as being a time for visions and revelations. We are on top of the world, talking to the gods. The religious quest and spiritual fervour of the ninth house and Gibbous phase now crystallize into a concrete vision, conversion or articles of faith. Clearly this is the moment when Moses receives the Ten Commandments at Mount Sinaï or when Christ is crucified on Mount Golgotha. According to legend it was also during a Full Moon that Siddharta liberated himself from all worldly illusions and became the realized Buddha.

For some of us the awe we experience during the late Gibbous and early Full Moon phase can be such an inspiration that we find our vocation and a career direction. At his first progressed Full Moon a six year old Neil Armstrong was taken up in a small aircraft and fell in love with space and flying. His second, thirty years later, found him in outer space on the Gemini 8 mission, very far away from home indeed.

The Progressed Disseminating Moon

(225°-269°)

Disseminating MoonAt the Disseminating phase we often see the beginning of the ‘going home’ theme that characterizes the second half of the cycle. Whereas in the first half we were busy leaving home and breaking free from the past, after the Full Moon we have to return, bringing with us, however, our experience and insights to change and improve the situation or place we came from. In this way we revisit the past and change it at the same time.

We are now in the 11th and 12th house and so the result of the Full Moon must somehow be assimilated by the collective. We must share our illuminations or success with others. This is when Moses comes down the mountain with the stone tablets to give them to his people. Similarly, if we have just spent a year in India with our Guru, now we may have to come home and use our changed attitude in a new job. Our sabbatical year or our pregnancy leave may be over and we return to a familiar routine. We may also build on our achievement of the Full Moon: Neill Armstrong steps on the Moonwe can now take our diploma to the job market or use our prize to get funding for the next project. Neil Armstrong continued his space flights to become the First Man on the Moon. His comment that the small step he was taking would be a giant leap for mankind expressed a very Disseminating (or 11th house) sentiment.

If the Full Moon brought disappointment or downfall this phase often means we are trying to come to terms with the facts. The sense of detachment and crystallization of the later part of the Full Moon continues into the Disseminating phase and we may spend time reflecting on what happened, evaluate our actions, lick our wounds and draw our conclusions. If we have found a vocation, we must take subsequent action. This means that now we find our niche or place in society. We may join a movement or political party or otherwise seek out kindred spirits. A fifteen-year-old McCartney, for instance, joined the Beatles at this phase. We may start to build networks to further our newfound cause.

For some the return after the heroic deeds and high drama of the Full Moon is an even greater challenge than the outward journey. Odysseus’ adventures really begin after the successful sacking of Troy and he has to overcome many dangers while sailing through a dreamlike seascape of many wonders. (12th house) And today war veterans may experience the same frustrations and difficulties as they feel lost and alienated when coming home after having lived through extreme circumstances and battle in faraway lands. They may feel, in fact, like they have not really come home at all but are still far away in spirit.

Those who at the Full Moon fled from what seemed insurmountable problems may find themselves on the run or hiding, incapable or unwilling to face the problems they left behind. Others may feel quite comfortable in the service of their chosen causes. Our jobs or institutions may provide us with a collective identity that protects us like a warm blanket. During the reintegration process which is typical of the Disseminating phase, we may add more and more water to the wine of our Full Moon convictions and may in fact be in danger of forgetting what we knew then with such absolute clarity.

In stories we may recognize these 12th house themes when we read the hero is in exile, maybe imprisoned, maybe wandering the wilds, maybe quite comfortable and happy like enchanted sleepers or like Odysseus’ men who visited the lotus eaters and, drugged by the honey tasting flowers, forgot they had a home to go to. Similarly, those spirits who have transcended their worldly existence and reached Nirvana, may decide never to reincarnate anymore.

The Disseminating phase may therefore be a rather quiet time in which we may find ourselves hiding, underachieving and forgetting to some degree. In that case, however, the Last Quarter will sound an unforgiving wake up call.

The Progressed Last Quarter

(270°-314°)

Last QuarterThe progressed Last Quarter can be compared to transits or progressions to the Ascendant (see diagram). This means that we move from the collective and public 12th house to the extremely personal 1st house. The Last Quarter can therefore be as painful as birth; we have to leave the womb, wake up form a long sleep and face who we are, alone and separate. This crisis can also be compared to the sobering experience of having to retire, when we all of a sudden find we are no longer part of a collective and have lost our public, social or corporate identity. We now have to return to our essential self. The last quarter of the cycle corresponds to the first three houses; the main building blocks of our personality.

The progressed Last Quarter therefore raises urgent questions about who we are, what we want and how we see our destiny. Examples of these questions are:
-“I really want to have a baby before I am too old, but will I be strong enough to raise it on my own?”
-“What do we really want to do and experience before, in a few years time, we marry, settle down and start a family?”
-“I have been putting it off but I do want to start my own business. But should I now that the economy is about to go into recession?”

At Last Quarter we should shake free from many distractions, focus and return to ourselves. In stories we are told of the hero’s return. For those who have been adrift, in hiding or in exile it is time to come home, dispose of the tyrants and usurpers and claim their inheritance.

When, after having wandered the seas for many years Odysseus arrives back in his native Attica he is alone, destitute and goes unrecognised. Now he must prove himself to be the rightful king and by feats of strength reclaim his wife and his throne. Nelson MandelaA modern equivalent of this well-known theme would be Nelson Mandela, who, after nearly thirty years in prison was released at his progressed Last Quarter, now facing the challenge of becoming South Africa’s first black president.

Like First Quarter therefore, Last Quarter may bring tests of strength and courage and especially for young people the Last Quarter phase may be very similar to a First Quarter experience: both can mean a step towards greater independence and self-realization. (In fact, at each phase of the cycle we may be confronted with issues related to the house opposite to the one we are currently at.) However, there are differences. As we have seen from the examples quoted above, our concerns at Last Quarter are more about the future than about the past. At First Quarter we may worry about being ready; at Last Quarter we tend to be afraid we have left things too late. We may feel we have to set out on journey with winter or old age approaching. Another difference we can sometimes observe is that at Last Quarter the rebellious spirit , characteristic of both Quarter phases, is not so much directed against our personal background, parents, mentors etc. (houses 4-6) but against a collective; history or society in general (houses 10-12). At his progressed Last Quarter Mohammed Ali changed his name and his religion in defiance of the history of blacks in America, and so forged a new identity for himself.

At Last Quarter we are forcefully reminded of the fact that the cycle is nearing its end. We may feel we have to steel ourselves in anticipation of a crisis, or that we are offered one last opportunity to make a dream come true; in most cases, therefore, the Last Quarter will spur us into action.

The Progressed Balsamic Moon

(315°-359°)

Balsamic MoonAs the Progressed Moon approaches the conjunction with the Progressed Sun, our world shrinks. People who supported us or structures that provided us with a sense of security and identity may fall away, leaving us lonely and vulnerable. Dreams that sustained us may have to be abandoned or postponed indefinitely. Our plans may be thwarted; our efforts may fail. Our physical health may deteriorate and need extra care and attention. And so we must go inward, retreat, regroup and recover before we are ready to move back out and into the world again after the conjunction, during the New Moon and Crescent phases. The approaching Progressed New Moon may be the winter of our discontent, when we have to lie low, go into hibernation until light and life return again. The progressed Balsamic Moon, leading up to that time, may therefore test us severely; Vincent van Gogh succumbed to physical weakness, mental illness and despair during this phase. Muhammad Ali was stripped of his world title and barred from boxing because he refused the draft for religious reasons. However, the progressed Balsamic Moon need not always be so dire.

Though some of these losses and endings may be forced upon us, there are other scenarios. During the cycle that is coming to an end, we have been confronted with many challenges, some of which we may have shied away from. Now, at the eleventh hour, we may feel ‘it’s now or never’ and say good-bye to emotional crutches, illusions, fears and frustrations. It is a perfect time to get rid of negative attitudes and inhibitions that are holding us back. In fact, since we are feeling less robust we may lack the energy to sustain our inhibitions and defences and find we can free ourselves from them. Quite often in this case, there is a regret in retrospect for not having done so sooner. This phase may therefore be the time when we finally admit to our true feelings or problems. We may after many years declare our love and commit ourselves to a relationship or face our inner scars and seek counsel and healing.

At this stage in our lives we should find closure to clear the decks for the next cycle. In doing so it is important we find the right words to say that which has remained, perhaps too long, unsaid, or words that to us will encapsulate the essence of our past experiences. This last part of the cycle corresponds after all to the 3rd house. Our last words, to anyone or on any issue take on tremendous importance. We may find we want to write our memoirs or feel the need to describe our emotions to an analyst. The Beatles Anthology, a ten hour TV documentary from 1995 in which the Beatles told their own story, was made when both McCartney and Ringo Starr were experiencing their Balsamic phase. It may also be deeply felt intentions or beliefs we need to express. It is interesting to note that Winston Churchill’s famous war speeches (like: ‘We shall fight on the beaches’ or ‘Never in the field of human conflict was so much owed by so many to so few’) were made at his progressed Balsamic Moon. Especially the second time round we may feel we have a lot to say during this phase. Demetra George and Dana Gerhardt associate the ‘Dark Moon’ with the old crone or the wise woman. And old women may be past hard labour or childbearing tasks, but they tell children the stories and fairytales that contain the seeds of wisdom to be passed on through generations. At the Balsamic Moon, we may want to take on that role.

One of the images used to for the Balsamic Moon is that of the ripe and rotten fruit which releases the seed. Since we are stripped away of everything superfluous, we are reduced to our essence. Blockages are removed, issues are resolved, and everything falls into place. This means that at the Balsamic phase we may find ourselves doing exactly the right things and meeting exactly the right people, those things and people, in fact, that are essential to us. At this stage in our lives, therefore, we may feel like conserving our energies so we can focus on a few core activities.Vincent VanGogh We may, however, lack the strength, conviction or resources to carry through. Van Gogh had come into his unique expressive style, and reached the height of his artistic powers, but penniless, isolated and physically weakened, he could not see the light at the end of the tunnel. The seed is small and vulnerable, and we must protect it against the oncoming upheaval of the New Moon. Projects and relationships started during the Balsamic phase may experience an early crisis therefore. Once our relationship or project has survived this test, it will be all the stronger for it and can endure for the next cycle.

The above examples may still not sound too hope inspiring, but sometimes we experience also the most gratifying aspect of this phase. The second, waning half of the Lunation cycle is, after all, associated with ‘reaping what you’ve sown’, and at the Balsamic phase the harvest may well be ripe. The rewards and recognition that we have been hoping for may now, perhaps rather late in the day, finally be ours. Long held dreams may be fulfilled as we cash in our savings and long-term projects may be completed. Eleanor Roosevelt saw The Declaration of Human Rights accepted by the UN at her Balsamic Moon. This may be the time when we really come into our own. Nelson Mandela became president of an apartheid free South Africa. Winston Churchill became Britain’s wartime leader, a job he felt he had been preparing for all his life. Five years later, at his progressed New Moon, he could celebrate victory over Hitler and the job of a lifetime was done. For even as the Balsamic Moon hands us our final reward, the future and the changes of the New Moon are never far away.

New Moon revisited

During the Progressed New Moon we must become whole within ourselves.
The Sun and Moon, the two lights and most powerful entities in our chart are joined. And where before spirit and soul, mind and body, masculine and feminine, identity and roots may have been separate, they now become one. Going through the Balsamic and New Moon phases we are forced to take back those parts of ourselves that we have projected upon the world so we can reintegrate them within our personality. For some this may mean having to delve deeply within our subconscious to salvage parts of ourselves we had forgotten. Some may have to go through a mourning process to internalise those we lost. The progressed Sun-Moon conjunction may represent a death-rebirth experience not unlike a heavy Pluto transit. For some, the conjunction is less dramatic; it simply allows us to touch base, return to the source and venture forth again, sometimes with increased vigour. Others, however, may find they have now cast off all encumbrances and reached their and destiny and the culmination of their ambitions. They may experience their finest hour in the Balsamic and New Moon phases, even if their swansong announces the not too distant, inexorable end.

* * *

Chart (and Biographical) Data and Sources:
(in alphabethical order)

Edwin "Buzz" Aldrin, January 20, 1930; 2:17 p.m. EST; Glen Ridge, NJ, USA (40°N48, 74°W12); AA: quoted birth certificate/birth record; birth certificate in hand from Lynne Koiner. The Moon landing occurred on July 20, 1969. Aldrin was hospitalised for depression in Oct. 1971 (biography from AstroDatabank by Lois Rodden).

Muhammad Ali, January 17, 1942; 6:35 p.m. CST; Louisville, KY, USA (38°N15, 85°W46); AA: birth certificate in hand from Steinbrecher. Ali announced that he had become a Black Muslim shortly after winning the heavyweight title on Feb. 25, 1964. His title was revoked in 1967 WWW.AFRICANAMERICANS.COM/MUHAMMADALI.HTM

Neil Armstrong, August 5, 1930, 12:31 a.m. EST; Washington, OH, USA (40°N34, 84°W12); AA: Lois Rodden quotes birth certificate in hand that gives Washington township in Auglaize County. Armstrong got his private pilot’s licence on Aug. 5, 1946 (his 16th birthday). He was a Navy aviator from 1949 to 1952 (biography from AstroDatabank). The Gemini 8 mission took place on March 16, 1966; the Moon landing, on July 20, 1969 (news media).

Winston Churchill, November 30, 1874; 1:30 a.m. GMT; Woodstock, England (51°N52, 01°W21); B: John Addey quotes his father’s letter for 1:30 a.m. Churchill’s famous war speeches were made in 1940 and 1941: "We shall fight them on the beaches" on June 4, 1940; "Never … was so much owed" on August 20, 1940 (www.winstonchurchill.org).

Bill Clinton, August 19, 1946: 8:51 a.m. CST: Hope, AR, USA (33°N40, 93°W36); A: from memory; note in hand from Mrs. Virginia Kelly, Clinton’s mother, to Shelley Ackerman with time handwritten. The Monica Lewinsky scandal broke in January 1998 (news media).

Diana, Princess of Wales, July 1, 1961; 7:45 p.m. GDT; Sandringham, England (52°N50, 00°W30'); A: Charles Harvey quotes data from her mother. Diana married Prince Charles on July 29, 1981 (news media).

John Lennon, October 9, 1940; 6:30 p.m. GDT; Liverpool, England (53°N25, 02°W55); A: Lois Rodden quotes his stepmother, Pauline Stone, by correspondence "from Lennon’s aunt who was present at the birth." Brian Epstein met the band in Nov. 1961 and signed them two months later. Lennon divorced Cynthia Powell on Nov. 8, 1968 and married Yoko Ono on March 20, 1969. His first solo album Imagine was released in 1970 (Frank C. Clifford, British Entertainers, 3rd edition, Flare Publications, MPG Books, 2003, pp. 31, 32).

Nelson Mandela, July 18, 1918; 2:54 p.m. EET; Umtata, South Africa (31°S35, 28°E47); DD: conflicting data, rectified by Noel Tyl. Mandela was released from jail on Feb. 11, 1990 and sworn in as president on May 10, 1994 (news media). Although Mandela's birth data are suspect, the progressed lunations allow for a wide margin of error — in this case, more than 24 hours on either side of the quoted time.

Paul McCartney, June 18, 1942; 2:00 p.m. GDWT; Liverpool, England (53°N25, 02°W55); A: Nalini Kanta Das (Tom Hopke) quotes Linda McCartney for the data. McCartney debuted in Lennon’s band on Oct. 18, 1957 and left the Beatles on April 9, 1970 (Clifford, British Entertainers, pp. 31, 32).
Pope John Paul II, May 18, 1920; 5:30 p.m. EET; Wadowice, Poland (49°N53, 19°E30); A: Grazia Bordoni quotes him on Italian TV. Cardinal Wojtyla was elected Pope on Oct. 16, 1978 (news media).

Eleanor Roosevelt, October 11, 1884; 11:00 a.m. EST; New York, NY, USA (40°N42, 74°W00); AA: birth record in hand from Joan Negus. The U.N. adopted the Universal Declaration of Human Rights on December 10, 1948 (www.un.org/Overview/rights.html).

Salman Rushdie, June 19, 1947; 2:30 a.m. IST; Bombay, India (18°N58, 72°E50); A: Catriona Mundle quotes him for "approximately 2:30 a.m., maybe a bit earlier" (AstroDatabank). The fatwa was declared on Feb. 14, 1989 (news media).

Ringo Starr, July 7, 1940; 12:05 a.m. GDT; Liverpool, England (53°N25, 02°W55); A: Lynne Palmer quotes him; same data by H. Davies in The Beatles, "just after midnight."

Margaret Thatcher, October 13, 1925; 9:00 a.m. GMT; Grantham, England (52°N55, 00°W29); A: Charles Harvey quotes Thatcher's private secretary. Thatcher resigned as Prime Minister on Nov. 22, 1990 (news media).

J. R. R. Tolkien, January 3, 1892; between 8:00 p.m. and midnight LMT; Bloemfontein, South Africa (29°S12, 26°E07); DD: Humphrey Carpenter quotes letter from father with the approximate time in J. R. R. Tolkien, A Biography, 1977, p. 12. Other sources quote other times. The first volume of The Fellowship of the Ring was published on July 29, 1954 (The Letters of J. R. R. Tolkien, ed. H. Carpenter, HarperCollins, 1995, p. 183).

Vincent van Gogh, March 30, 1853; 11:00 a.m. LMT; Zundert, Netherlands (51°N28, 04°E40); AA: birth certificate in hand from Steinbrecher. Van Gogh shot himself on July 27, 1890 and died on July 29 (www.vangoghgallery.com/misc/bio.htm).

Bibliography:
Busteed, Marilyn and Dorothy Wergin. Phases of the Moon. American Federation of Astrologers, 1996.
Campbell, Joseph. The Hero with a Thousand Faces. Fontana Press, 1993.
Costello, Darby. The Astrological Moon. CPA Press, 1996.
George, Demetra. Mysteries of the Dark Moon. HarperCollins Publishers, 1992.
George, Demetra. Finding Our Way through the Dark. ACS Publications, 1994.
Propp, Vladimir. Morphology of the Folktale. University of Texas Press, 1988.
Rudhyar, Dane. The Lunation Cycle. Shambhala, 1975.


Notes:
  1. The Mountain Astrologer, Oct/Nov 2001 – Feb. March 2003.
  2. Progressed by a day for a year. These progressions show for a 40-year old, the positions of Sun, Moon and planets, 40 days after his or her birth.
  3. I prefer to compare the lunar phases to the astrological houses rather than to the signs. The mid-winter sign is Capricorn on the Northern , but Cancer on the Southern Hemisphere, whereas the IC is always the midnight point, whatever sign occupies it.
  4. Reading the following examples of what actually happened at these phases, it is important to bear in mind that these progressed Moon phases are not exact timers; transits and progressions over the angles and other natal positions are far more reliable triggers. Nor can you tell with certainty from one event what phase a person is going through. Learning experiences may happen at any stage of the cycle, and the same holds for weddings and deaths. All the examples cited must therefore be seen in the larger context of the cycle.
  5. This homecoming theme is present throughout the second half of the Lunation cycle but is most pronounced around the progressed conjunction.
  6. The 6th house refers to aunts, uncles and mentors. See Steve Forest, “The Case of the Disappearing 6th house” in The Mountain Astrologer, June/July 2002, p. 9-16.
  7. J.R.R. Tolkien, The Letters of J.R.R. Tolkien, edited By Humphrey Carpenter, HarperCollins, London, 1995, p.172.
  8. Robert Graves, The Greek Myths, Combined Edition, Penguin, London, 1992, p.696

© 2005 Frédérique Boele – all rights reserved

Frédérique Boele was born on April 13, 1961 in The Hague, Netherlands. She studied English and American literature at Leiden University and later studied at the Centre for Psychological Astrology in London between 1989 and 1992. Since that time, she has been teaching English to the Dutch, Dutch to immigrants and refugees, and astrology to anyone who is interested. She can be contacted by e-mail at: fabaries@excite.com

For those who would like to find out where their current progressed new moon is, we have integrated it in the Extended Chart Selection as chart type "Natal and progressed New Moon". The current phase can be seen in the progressed chart.
 
to topMorin's Method of Determination

The Down-to-Earth Sky:
An Introduction to
Morin's Method of Determination

by Penny Seator


This essay is a slightly modified version of an article that appeared in the Mercury Direct section of the April-May 2007 issue of The Mountain Astrologer.

The character and physical make-up are actually brought to completion by the disposition of the sky which at a suitable time brings the child forth from the womb in accordance with its destiny. And - as it were - a seal is imprinted on the native which is a representation of the nature, condition, location, and particular determinations of the celestial bodies.

- Astrologia Gallica, Book 21

Jean-Baptiste Morin de Villefranche, 17th-century French astrologer, physician, and mathematician, wrote a 26-book treatise on astrology and natural philosophy that sets out a systematic and practical astrological approach.1 The treatise, written in Latin, was published posthumously in Paris in 1661 under the title Astrologia Gallica. Morin intended in the work to cull a reasoned and elegant system of horoscope interpretation from what he saw as a compromised Western astrological history.

Morin's method of determination, which is the foundation of his system, relies on astrological houses to show how influences2 enter individual lives. The method highlights the Ascendant as the basis of down-to-earth astrology.

Morin demonstrates that a planet and the sign it occupies have general (or universal) significations that do not reveal the planet's particular significations in a horoscope. He identifies the misuse of planets' universal significations as an error that compromises astrology. This essay tracks Morin as he considers the use and misuse of universal significators, and as he defines planetary nature, celestial state,and terrestrial state. It follows him as he systematically combines these factors by means of analogy to specify a planet's significations in a horoscope. In Morin's system, a planet's nature and celestial state - its placement in the Sky - show its influence; houses, particularly the Ascendant, represent the native, the receiver of influences who determines the planet'sparticular effects. One section of this essay glances at the Ascendant through the lens of Morin's method; another section notes some of the method's implications for understanding human action. The essay demonstrates the basics of Morin's system using the natal horoscope of Sarah Vaughan, and concludes with recognition of Morin's gift to astrologers.

Misuse of Universal Significators

Morin demonstrates that astrologers have misused the universal significations of planets and signs. A universal significator refers to all members of a class or category, without distinction among them. A planet is a universal significator of those sublunary things that are analogous to its categorical nature.3 In other words, a planet signifies by its nature a whole class of things with which it has an analogy4 - the things the planet is said to rule. Each thing in the category a planet rules is a potential referent of the planet in a horoscope; it is a thing the planet universally signifies.5

Morin says astrologers have relied on planets to show, by nature alone, which of their analogical significations operate in a horoscope. A universal significator, however, does not distinguish among members of the category it rules; a planet by its nature signifies, without distinction, all its categorical meanings. To make the point, Morin quotes a question that the 16th-century astrologer Girolamo Cardano posed:

… Cardanus … states that Ptolemy introduced a great deal of confusion when he assigned several meanings to one significator, and made the Moon, for example, the significator of the body, the morals, the health, the wife, mother, daughters, maid-servants and sisters. Says Cardanus: “What then must be the condition of the Moon in the horoscope of one whose wife had died in childbirth but himself lived a long life, who had many healthy daughters but also maid-servants who ran away, who had a sound body but a mother who died young, and who himself showed a poor moral character?"6

Morin imagines others may say that sign occupation and aspects condition a planet's significations and thereby specify the planet's meaning in a horoscope. Morin agrees that what he calls (in translation) a planet's celestial state qualifies the planet's meaning in a horoscope. Yet, although celestial state qualifies and, therefore, narrows, it does not particularize:

Ptolemy, Cardanus, and others were also in error when they claimed that in every diurnal horoscope judgment concerning the father of the native is to be made from the celestial state of the Sun ... [T]hey did not see that this is absurd, because if the Sun were in Leo and, for example, conjunct or trine Jupiter or Venus no child would be born anywhere on earth during the course of that day whose father would not be fortunate and long-lived ... And of course, as this aspect would remain in effect for several days it is clearly foolish to suppose that during this period every child born would have the same kind of father ... 7

Celestial state, which refers to all significant elements of a planet's placement8 in the Sky, includes (1) a planet's sign occupation, particularly whether it is in domicile, exaltation, triplicity, exile (detriment),9 fall, or is peregrine; (2) the nature and celestial state of the planet's dispositor and the planet's aspectual relationship, if any, with its dispositor; (3) aspects from other planets considered by nature and celestial state, and as delivered in a particular aspect form; and (4) various other factors such as planetary motion (direct or retrograde, rapid or slow), whether the planet is oriental of the Sun or occidental of the Moon, and so on.

Skeptics argue that astrologers make statements that are general and, therefore, broadly apply to many people. Morin would say that astrologers' statements reliably apply to a particular person only if we make right use of astrological determinations. Yet, as Morin notes, sometimes interpretations based only on planetary nature and celestial state seem to work. In some horoscopes, the Sun does signify honors; sometimes the Moon is a significator of moral constitution. As a result, Morin says, astrologers have come to misuse universal significators to the compromise of astrology.

Terrestrial State

In Morin's method, astrological houses limitand direct - that is, determine - the universalmeanings of planets and signs to particularize and concretize their meanings in a horoscope. Morin sets out his method of determination in Astrologia Gallica's Book 21.

Determine derives from the Latin terminare ("to set bounds to") and can be defined as: "to limit; (logic)to limit by adding differences, to limit in scope; to give a terminus or aim to, to give tendency or direction to, to decide the course of, to impel to; to give a direction or definite bias to."10

Morin shows that the houses of a horoscope determine and soparticularize astrological effects. He explains that planets transmit influences that houses receive and determine to earthly realizations: Astrological houses limit and direct significations inherent as potentials in a planet's nature and celestial state to shape the planet's influence in a life. Morin (in translation) refers to a planet's placement within the houses as its terrestrial state or local determination.

In descending order of influential strength, a planet's terrestrial state is its (1) location:the house in which it sits; (2) rulership: the houses it rules (which answers the question: from where does this planet come?), the house location of its dispositor (which answers: to where does this planet go?), and the house location of planets it disposes (which fleshes out the answer to: from where does this planet come?); (3) aspects and (more weakly) antiscia: the planet's relationship by aspect or antiscion with planets located in houses, and with house rulers and house cusps; and (4) reflection:11 the planet's influence onthe house opposite the one in which it sits. These determinations are reducible to the two basic forms of local determination:location and rulership.

Robert Corre uses the image of an artesian spring to explain the means by which houses - which represent Earth and earthlings - determine the Sky. An artesian spring bubbles up from beneath the ground in a manner determined by its nature, quantity, and quality, and by forces that propel it. Once it rises to the surface, the topography of the land onto which the water courses directs and conditions its flow. Without knowledge of the land onto which the water emerges, we cannot know where the water will flow when it reaches the surface, or whether it will become stream, fountain, lake, or flood.

Morin shows that, to transliterate the Sky into earthly meanings,we rely on the houses to represent life on Earth. Houses relate tothings and events that people care about. We care about body, home, partner, children, work and career, friends, food, money, health, illness, death, and so on. Morin gives us a scheme that enables us to translate the Sky's symbols into human terms.

Nature, State, Determinations, and Analogies

Morin's method shows its power when he uses analogies to combine a planet's nature with its celestial state and local determinations. Morin demonstrates how, with systematic combination of these factors, the astrologer can assess the strength, quality, and direction of each planet's influence. To form an image of a living person from the horoscope's symbols, the astrologer systematically analyzes combinations of houses, signs, and planets whose effects are actualized and made visible through analogy. Morin’s system guides the astrologer to see analogies as they selectively light up networks of influence and determination that planets and signs string among themselves and direct from house to house.

When a planet's nature, celestial state, and local determinations are unified by shared analogy, the planet realizes signified house affairs. For example, if Jupiter is well-placed in Sagittarius in the 10th house and receives a trine from the Sun in Leo in the 5th, the shared analogies to honors, creativity, and visibility signify a publicly honored and creative destiny. Each planet, however, exists in a community of planets in which each has a distinct nature, particular state and determinations, and powerful influence. It is usually necessary to evaluate and synthesize multiple planetary placements that affect particular house affairs to understand their relative and combined influences. Combinations of planetary placements that are confluent (analogous) and strong (or, in the absence of beneficial realization, weak) are needed to predict readily apparent results.

Morin's discussions of planetary nature, strength, and celestial state, are multifaceted. In basic terms, a planet's nature shows whether the planet will realize house affairs. A planet's influential nature12 is known through its categorical analogies; these analogies are the source of the benefic or malefic13 nature of a planet's influence. A planet's strength14 - a measure of the quantity of its influence - calibrates how much the planet will realize in the house affairs that it influences. Its quality, seen in celestial state, indicates whether realization of house affairs will be refined, satisfying, and stable, and whether realization will be achieved through ethical, well-timed, and harmonious means.

Factors of planetary strength include location or rulership in angular houses (especially the 1st or 10th), occupation of cardinal signs, disposition of many or key planets, disposition by a strongly placed planet (especially with an aspect from the dispositor), participation in exact aspects or in aspects with many planets, aspects to the Ascendant or Midheaven or their rulers, aspects to the Sun or Moon or their dispositors, and aspects to other key planets. The other end of the spectrum of strength includes location or rulership in cadent houses, occupation of dual (mutable) signs, disposition of no planets or few relatively weakly placed planets, a dispositor whose placement is relatively weak, and participation in few or wide aspects, especially to relatively weakly placed planets. The lights (the Sun and Moon) strongly placed, especially in aspect to the Ascendant and to each other, or to the Midheaven, also contribute mightily to strength.

Primary factors of a planet's good celestial state, which favorably condition its nature and show the quality of its influence, include occupation of a sign with which the planet's nature is compatible (where it is in honor by domicile, exaltation, or triplicity),15 favorable aspects from benefic planets, absence of unfavorable aspects from malefic planets, and a dispositor well conditioned by celestial state.

Morin shows that a planet in a horoscope first identifies itself by house location and nature. A natural benefic located in a fortunate house realizes house affairs through the benefic analogies that planet and house share. A natural malefic located in an unfortunate house (primarily the 6th, 8th, or 12th) tends to give effect to unfortunate shared analogies. The confluent effect is further heightened when the planets celestial state also bears an analogy to its nature and determinations. Contrary analogies or the absence of analogies limit or deny realization of house affairs. A natural benefic located in an unfortunate house protects the native from misfortunes of the house, and tends to bring out the house's potentially beneficial significations. A natural malefic - primarily Saturn, Mars, and (post-Morin) the modern planets - located in a fortunate house tends to obstruct or disrupt realization.

When Morin looks at determination by house location, he considers the influence on house affairs of one planet located in a house. He also considers multiple planets located in a house and measures their relative and combined influence on the house. He weighs each planet's influence based on considerations of its rulership in the house, its analogy with affairs of the house, its orb of conjunction to the house cusp, its relationship to its dispositor and to the house ruler, and its place in the sequence of planets through the house, among other factors.

After Morin considers a planet's nature, location, and celestial state, he factors in remaining elements of terrestrial state. Rulership is the second most effective form of local determination. Morin looks at the effect of a house ruler located in a house it rules, and he considers the effect of a house ruler located in another house. He shows that planets related by disposition shape each other's local determinations, and demonstrates how a planet and its dispositor combine the effects of one house with those of another. House rulers include rulers primarily by domicile, importantly by exaltation, and weakly by triplicity. Planets that rule a sign placed in a house but do not rule the house cusp also act as rulers of the house.

The third form of local determination is given to a planet by aspect. A planet that sends an aspect to a house cusp, house ruler, or a planet located in a house is thereby given a determination to the affairs of the house it influences. An aspect between planets acting in accord with their local determinations modifies the terrestrial state of each mutually aspecting planet. Planets combine the affairs of one house with those of another by their mutual aspects.

Morin considers the panoply of combinations of natural benefics and malefics in good, intermediate, and poor celestial state given determinations to fortunate and unfortunate houses. For example, a natural benefic in good celestial state that is given a determination to a fortunate house to which it bears an analogy generates refined, satisfying, enduring, and well achieved realization of house affairs. A natural benefic in poor celestial state realizes affairs of a fortunate house; the realization, however, may be of compromised quality, may prove unsatisfying or unstable, or may be accomplished by questionable means. The poor celestial state of a natural malefic renders its influence more difficult to manage. A natural malefic's good celestial state lends it benefic effect, and gives it capacity to realize fortunate affairs or avert some unfortunate realizations - at least in the fortunate houses. Yet, whatever its state, a planet always influences by its nature:

[A] malefic even in good state always grants things attended by imperfections, or through evil methods or in difficult ways, or with some accompanying misfortune, because of the malefic nature of the planet through which it is more prone to evil than to good. Whence it can be said that malefics in good celestial state in the fortunate houses are like a dissonance in music that has been resolved to produce a consonance.16

The Ascendant

The rising point, or Ascendant, is the originating place where the band of Sky in which the planets wander touches the Earth. In most methods of house division, the Ascendant is the first point the system defines and, with the Midheaven, the point from which houses are constructed. The Sky enters the ken of earthlings at the Ascendant. We turn east (from Sanskrit ushas, "dawn") at sunrise to know and enter the coming day; we turn to the Ascendant to know a person. The Ascendant describes the person and the person's orientation (from Latin orienter, "to place facing east") to life.

Consistent with tradition, Morin refers to the 1st house as the House of Life. Robert Corre teaches, as Zoltan Mason taught, that the Ascendant is 80% of the horoscope: the sign on the ascendant and planets connected to the Ascendant contribute to the formation of personality.17 Mason placed his finger on the Ascendant as he interpreted a horoscope to remind himself to keep track of the rising point.

The horoscope shows how the native receives and determines influences. Factors that do not appear in the horoscope are also determinative. Those factors are, first, whether the horoscope is correctly cast; and second, whether it is the horoscope of a human birth - circumstances the horoscope does not show. Nor does the horoscope show the person's social, cultural, and religious background, gender, or (without calculation from planetary positions) age. As Morin explains and Corre emphasizes, the horoscope shows only half the picture; the other half is the context in which the horoscope operates.

Action and Determination

In Ptolemaic cosmology,18 the primum caelum, which translates to "first heaven," is the first moveable sphere and the sphere of fixed stars. The primum caelum, as the first cause in Nature, imparts motion to lower celestial spheres that carry planets in their orbits. In the traditional view that informed Morin's thought and practice, the Unmoved Mover inspires love - experienced as breath - that animates the cosmos and generates life as it also draws the creature home to its source.

In Morin's model, at creation the Author of Nature determined the nature and active power of the primum caelum, and determined the planets' essential natures and active powers; the planets determined the zodiacal signs. As a result of planets' original determination of signs, planets and signs work as (cooperative or uncooperative) partners through relationships found in rulership, sign occupation, and analogies. Since creation, planets and signs mutually determine each other. Planets, acting as transmitters of signs’ influences and as senders of their own natural and conditioned influences, are first causes that actively influence houses; houses - which represent Earth and so represent us - receive and determine influences of planets and signs. When humans act as a result of influences we receive, we become, Morin says, "particular causes of [our] own effects."19

This model of the relationship of cause, creative determination, and effect is a schema of cosmic order. It shows how human beings become creative actors: In Morin's traditional view of cosmos, we are secondary causes who act to determine the particular effects of celestial first causes. With Morin's method, we can assess influences, circumstances, and potentials in accord with cosmology to focus the crucial question about human action that arises again and again: What is the best I can do in thesecircumstances under these influences at this time?

An Application of Morin's Method

Sarah Vaughan was a great jazz singer whose highly successful career began when she was 18 years old and spanned almost 50 years. Vaughan's phenomenally strong, flexible, and captivating voice had an extraordinarily wide range. One of the early influential bebop musicians, she used her voice as a horn. Vaughan crossed boundaries that redefined musical genres and profoundly influenced jazz singing. She performed successfully in jazz and pop genres and sang with symphony orchestras. She was largely self-taught and perfected her art by working with other great musicians. She had a wonderful musical imagination; she created and executed to perfection intricate harmonic, rhythmic, and melodic changes. She was a master and innovator of scat singing, which is the art of improvising in sounds and syllables without words. Vaughan's voice retained its beauty, expressive power, and flexibility throughout her long career; as she aged, her lows became richer, and her musicianship matured to become increasingly masterful.

In view of the wealth of information that a horoscope encodes, the challenge is to glean what is salient for a given purpose. The purpose here is to demonstrate some basic principles of Morin's method. The focus here will be on the most publicly outstanding characteristics of Vaughan's life - her voice and musical artistry - with an occasional glance at other matters. The 2nd is the house of the throat and mouth and, thus, of voice and nourishment; it is the house of money and material resources. Musical artistry is a 5th-house matter.20

The Ascendant: Life and Direction

In order to understand the effect of any planetary placement, it is necessary to understand who is subject to the influence. Scorpio rises in Vaughan's horoscope. As the eighth sign, Scorpio connects Vaughan with 8th-house affairs. The house locations of Ascendant rulers Mars and Pluto confirm the connection and direct Vaughan to the 2nd/8th axis: Ascendant ruler Pluto is located in the 8th house in Cancer; it throws a tight opposition to Ascendant ruler Mars, which sits exalted in Capricorn in the 2nd. The Moon in Capricorn sits in exile in the 2nd house, where it disposes and tightly aspects Pluto within an orb of 20 minutes. In Morin's system, each house has accidental significations that mirror the essential significations of the opposite house, and a dispositor of a house ruler can become as effective in house affairs as the ruler itself. Thus, Pluto's 8th-house location and its disposition to the 2nd further intertwine Vaughan's life with 2nd-house matters.

These major arteries powerfully connect the Ascendant with the 2nd/8th axis, with a decided tilt toward the 2nd; they vitally direct Vaughan's life toward 2nd-house affairs. This confluence of factors directed toward the 2nd is striking. It becomes more striking still. Three planets, including the 2nd-house ruler, are located in the 2nd; what's more, every planet in thehoroscope pours its influence into the 2nd, and all are tied to the Ascendant or Ascendant rulers.

Uranus, Neptune, and Venus are the planets that most closely aspect the Ascendant. All three planets are strongly connected to the 2nd house by disposition or final disposition21 and by aspect. Jupiter, which rules in the 1st (representing Vaughan) and in the 4th (representing Vaughan's foundation and ancestry), is the 2nd-house ruler; it is placed powerfully in domicile closely conjunct the 2nd cusp, and disposes Ascendant ruler Pluto by exaltation to the 2nd. The Sun and Mercury, the 10th-house rulers in Aries in the 5th house, aspect into the 2nd and are disposed there by Ascendant ruler Mars; they aspect both Ascendant rulers. Saturn, which rules in the 2nd, sits in the 12th in Scorpio, the ascending sign, in mutual reception by domicile with the Ascendant ruler, exalted Mars. This comprehensive and tightly woven pattern signifies Vaughan's integrated focus on 2nd-house affairs and the affairs of the 2nd/8th axis; it also shows the remarkable complexity of those affairs. Vaughan, with a Scorpio Ascendant, was directed to voice, money, others' money, food and drink, sex, trauma, regeneration, and death.

Uranus in Pisces sits in the 4th, an angular house that it co-rules; it makes the closest aspect to the Ascendant and aspects both Ascendant rulers, Mars and Pluto. Uranus is located in the house of parents, past, foundation, and ancestry in a sign of music. It is disposed to the 2nd and in a tight square to its powerful dispositor, Jupiter; it is disposed to the 9th by Neptune, which has honor of elevation in the royal sign of Leo; Venus, which sits powerfully angular in domicile, sextiles and disposes Uranus by exaltation. Uranus' final dispositor is the exalted 10th-house ruler, the Sun in Aries, which is located in the 5th house of performance, music, and creativity. As these placements presage, Vaughan burst into visibility with song. Her parents were amateur religious and traditional musicians. Vaughan got her start in music when she sang in the choir and played organ in church as a child and adolescent; her jazz roots were in innovative bebop, with its revolutionary harmonies and rhythms. Vaughan's past led her to unique, visible, and inspired musical performance.

The second-closest aspect to the Ascendant is Neptune's square from the 9th house. Neptune participates in fierytrines with Jupiter in the 2nd and with its dispositor, the exalted Sun, conjunct Mercury in the 5th; it closely squares Venus in domicile on the 7th-house cusp. Neptune is a significator of longing and divinity in a sign of royalty and performance in a house of aspiration and divinity; the exalted Sun that disposes Neptune is a significator of royalty and divinity in the fortunate and musical 5th house. Vaughan sang ballads of yearning and romance in a beautiful lush voice; laudatory critics sometimes called her voice "operatic." Vaughan was known as the "Divine One"; she said her favorite and best among her early recordings was "The Lord’s Prayer." Vaughan's aspirations led her to divine song.

Venus makes the third-closest aspect to the Ascendant. Venus is one of the two angular planets and is a benefic powerfully placed in its earthy domicile closely conjunct the 7th-house cusp in a Scorpio-rising chart. The 7th signifies the public as well as the partner. Venus sextiles Uranus and disposes it by exaltation. With analogies to throat and voice in a sign with the same analogies, Venus is disposed by exaltation to the 2nd house and casts aspects into the 2nd to its dispositor, the Moon; it closely squares Neptune. "Tenderly" was one of Vaughan's signature songs; another was "Misty." Vaughan sang ballads and innovative jazz; she also made recordings backed by string orchestras. Venus' placement gave Vaughan's music divine, sensual beauty and stunning creative originality; her rich and arrestingly beautiful vocal expression brought her success with a devoted public.

The Midheaven: Action and Destiny

The Midheaven in Vaughan's horoscope is very powerfully placed and, in itself, promises something extraordinary. Vaughan's Midheaven falls into strong, fixed, fiery Leo. Its ruler is the exalted Sun in Aries, which is disposed to the 2nd by exalted Mars. The Sun comes from the elevated 9th and 10th houses to the fortunate 5th, where it sits closely conjunct the cusp it rules by exaltation. The Sun participates with Mercury, which also rules in the 10th, in powerful fire-sign trines that occur in strongly-placed fortunate houses. All the planets in these key fiery trines - Jupiter in domicile on the 2nd cusp, the exalted Sun on the 5th cusp where it trines and disposes elevated Neptune in the 9th, and Mercury conjunct its exaltation dispositor - are given determinations to the 2nd by location, rulership, di