|born on||2 March 1900 at 16:30 (= 4:30 PM )|
|Place||Dessau, Germany, 51n50, 12e14|
|Timezone||MET h1e (is standard time)|
|Astrology data||11°37' 28°23 Asc. 28°19'|
German-American composer, an important figure in German musical life during the period of the Weimar Republic. He left Germany as a refugee from the Nazis and became an American citizen. He created a revolutionary type of opera with sharp social satire with Bertolt Brecht on "The Threepenny Opera" and "The Rise and Fall of the City of Mahagonny." Some fifty years after his death, his Broadway works are attracting revived attention.
Weill studied at the Staatliche Hochscule für Musik. At Dessau and Lüdenscheid he gained experience as an opera coach and conductor from 1919-1920. In Berlin he studied under Busoni from 1921-1924. His early music was expressionistic, experimental and abstract. "Der Protagonist," 1926, and "Royal Palace," 1927, his first two operas, established him as one of Germany’s most promising young opera composers.
Weill’s first collaboration with Bertolt Brecht, "Mahagonny" satirized life in an imaginary America that was also Germany and was a big success at the Baden-Baden, Germany film festival in 1927. "The Threepenny Opera" was a transposition of the 18th century characters from "Beggar’s Opera" into characters typical of Berlin’s underworld in the 1920s. "Mahagonny" was expanded into a full-length opera, "The Rise and Fall of the City of Mahagonny" and was first presented in Leipzig in 1930. Widely considered Weill’s masterpiece, the opera showcased a synthesis of American popular-ragtime-jazz music.
After the production of "Die Bürgschaft" in 1932, Weill’s political and musical ideas and his Jewish birth made him unacceptable to the Nazis, and he left Berlin for Paris and then for London. His music was banned in Germany until after World War II. He resumed his career in New York City, writing music for American productions including "Lady in the Dark" in 1941 with libretto and lyrics by Moss Hart and Ira Gershwin. Weill’s folk opera "Down in the Valley," in 1948, was much performed.
Weill married actress Lotte Lenya in 1926. She sang for the first time in "Mahagonny" in 1927. They divorced in 1933, but remarried in 1937 in New York City. He died on 04/03/1950 in New York City. Two of his songs, "Mack the Knife" and "September Song" have remained popular. His violin concerto and two symphonies were revived after his death.
- friend relationship with Bloch, Ernst (born 8 July 1885)
- spouse relationship with Lenya, Lotte (born 18 October 1898)
- Work : New Career 1919 (Opera coach and conductor)
- Social : Begin a program of study 1921 (Studied under Busoni, three years)
- Work : Published/ Exhibited/ Released 1926 (First opera released/performed)
- Relationship : Marriage 1926 (First marriage, Lotte Lenya)
- Work : Gain social status 1927 (Film shown at Baden-Baden film festival)
- Work : Published/ Exhibited/ Released 1932 (Produced "Die Burgschaft")
- Relationship : Divorce dates 1933 (From Lotte)
- Relationship : Marriage 1937 (Second marriage to Lotte)
- Work : Published/ Exhibited/ Released 1948 (Folk opera produced)
- Death, Cause unspecified 3 April 1950 at 12:00 noon in New York, NY (Age 50)
chart Placidus Equal_H.
Steinbrecher quotes B.R.
Sy Scholfield cites same data from birth certificate quoted in Kurt Weill: Leben und Werk" by Jürgen Schebera (Deutscher Verlag für Musik, 1983), p. 12: "Geburtenregister der Stadt Dessau verzeichnet unter der Nummer 292 im März des Jahres 1900, daß dem »Kantor und Religionslehrer Albert Weill, wohnhaft in Dessau, Leipziger Straße 59, mosaischer Religion und der Emma Weill geborenen Ackermann, seiner Ehefrau mosaischer Religion, wohnhaft bei ihm, am zweiten März des Jahres tausend neunhundert nachmittags um viereinhalb Uhr ein Knabe geboren worden sei."
[Translation: In the birth register of the city of Dessau is registered under the number 292 in March of 1900 that to the "cantor and teacher of religion Albert Weill, living in Dessau, at 59 Leipziger Street, being of the Jewish religion and Emma Weill born Ackermann, his wife of the Jewish religion, residing with him, was born in the afternoon around four and a half o'clock a boy on the second of March of the year one thousand nine hundred.]
- Family : Relationship : Number of Marriages (Twice to Lotte)
- Lifestyle : Work : Intern/ Apprentice (Under Busoni, three years)
- Lifestyle : Home : Expatriate (Became U.S. citizen)
- Vocation : Entertain/Music : Composer/ Arranger (Composer)
- Vocation : Entertain/Music : Conductor (Opera coach, conductor)
- Vocation : Entertain/Music : Song writer (Operas, concertos, symphonies)