Caillebotte, Gustave

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Name
Caillebotte, Gustave Gender: M
born on 19 August 1848 at 15:20 (= 3:20 PM )
Place Paris, France, 48n52, 2e20
Timezone LMT m2e20 (is local mean time)
Data source
BC/BR in hand
Rodden Rating AA
Collector: Geslain
Astrology data s_su.18.gif s_leocol.18.gif 26°41' s_mo.18.gif s_aricol.18.gif 29°35 Asc.s_sagcol.18.gif 19°49'



Gustave Caillebotte

Biography

French painter, member and patron of the group of artists known as Impressionists, though he painted in a much more realistic manner than many other artists in the group. Caillebotte was noted for his early interest in photography as an art form.

Caillebotte earned a law degree in 1868 and a licence to practise law in 1870. He was also an engineer. Shortly afterwards, he was drafted to fight in the Franco-Prussian war, and served in the Garde Nationale Mobile de la Seine.

After the war, Caillebotte began visiting the studio of painter Léon Bonnat, where he began to study painting seriously. He developed an accomplished style in a relatively short period of time and had his first studio in his parents' home. In 1873, Caillebotte entered the École des Beaux-Arts, but apparently did not spend much time there. He inherited his father's fortune in 1874 and the three sons divided the family fortune after their mother's death in 1878. Around 1874, Caillebotte met and befriended several artists working outside the official French Academy, including Edgar Degas and Giuseppe de Nittis, and attended (but did not participate in) the first Impressionist exhibition of 1874.

The "Impressionists" - also called the "Independents", "Intransigents", and "Intentionalists" - had broken away from the academic painters showing in the annual Salons. Caillebotte did make his debut in the second Impressionist exhibition in 1876 showing eight paintings including Les raboteurs de parquet (The Floor Scrapers) (1875), his earliest masterpiece. Its subject matter, the depiction of labourers preparing a wooden floor (thought to have been that of the artist's own studio) was considered "vulgar" by some critics and is the probable reason why it was rejected by the Salon of 1875. At the time, the art establishment only deemed rustic peasants or farmers as acceptable subjects from the working class.

Link to Wikipedia biography

Events

Source Notes

from Didier Geslain archive

Categories

  • Lifestyle : Financial : Gain - Inheritance
  • Lifestyle : Financial : Philanthropist
  • Vocation : Art : Fine art artist (painter)

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